12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.6: 2. Adagio - Presto - Adagio - Tomaso Albinoni, I Musici, Pina Carmirelli Information

Acousticness: 93%
Danceability: 34%
Energy: 12%
Instrumentalness: 33%
Liveness: 10%
Loudness: 63%
Speechiness: 4%
Valence: 6%
Popularity: 6%
Loudness: -22.079 dB

Summary

"12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.6: 2. Adagio - Presto - Adagio" by Tomaso Albinoni, I Musici, Pina Carmirelli was released on January 1, 1999. With 12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.6: 2. Adagio - Presto - Adagio being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 64 in Albinoni: Complete Concertos Op.5 & Op.7 by Tomaso Albinoni, I Musici, Pina Carmirelli, Berlin Chamber Orchestra, Vittorio Negri. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, 12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.6: 2. Adagio - Presto - Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.6: 2. Adagio - Presto - Adagio BPM

The tempo marking of 12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.6: 2. Adagio - Presto - Adagio by Tomaso Albinoni, I Musici, Pina Carmirelli is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.6: 2. Adagio - Presto - Adagio Key

This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Adagio in F, H.XVII No.9	Franz Joseph Haydn, Alfred Brendel	F Major	0	7B	71 BPM
Flute Concerto in A Minor, QV 5:238: I. Allegretto	Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi	G Minor	2	6A	143 BPM
Sonata in D Major, No. 1: I. Grave - Allegro	Arcangelo Corelli, Lucy van Dael, Bob van Asperen	A♭ Major	1	4B	147 BPM
Valse triste, Op. 44	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	D♭ Major	0	3B	67 BPM
Sonata No. 15 in C Major, II. Andante	Maria João Pires	G Major	1	9B	108 BPM
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne)	George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni	F♯ Major	1	2B	172 BPM
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice]	Jean-Baptiste Lully, William Christie, Les Arts Florissants	F Minor	1	4A	71 BPM
Viola Concerto in G Major, TWV 51:G9: I. Largo	Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger	G Major	1	9B	144 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato	Bedřich Smetana, Jitka Čechová	A Minor	0	8A	66 BPM

ISRC: NLA508022930
Label: L-M Records/RCA Records

Section: 0.6876025199890137

End: 0.6916003227233887