Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel made "Concerto in F Major, S. 235: 1. Vivace" available on January 1, 1993. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel's "Heinichen: Dresden Concerti" album is number 5 out of 50. Based on our statistics, Concerto in F Major, S. 235: 1. Vivace's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto in F Major, S. 235: 1. Vivace by Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in B-Flat Minor, Op. VIII No. 3: II. Adagio | Tomaso Albinoni, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 171 BPM | ||
Symphony in G Major, Op. 3 No. 1, WolS G2: II. Andante non adagio | Johann Stamitz, Musica Viva, Alexander Rudin | F♯ Major | 0 | 2B | 125 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: I. (Allegro) | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | A♭ Major | 3 | 4B | 94 BPM | ||
Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 135 BPM | ||
Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: I. Largo | Tomaso Albinoni, Ensemble 415, Chiara Banchini | B Major | 7 | 1B | 108 BPM | ||
Cello Sonata in G Minor, Op. 1 No. 4: I. Adagio | Benedetto Marcello, Roel Dieltiens, Richte Van Der Meer, Robert Kohnen | F♯ Minor | 0 | 11A | 70 BPM | ||
Mass No. 11 in D Major / Sanctus: IVa. Sanctus | Johann David Heinichen, Patrick Van Goethem, Christine Wolff, Dresdner Barockorchester, Hans-Christoph Rademann | D♭ Major | 2 | 3B | 125 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM |
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