Johann David Heinichen, Patrick Van Goethem, Christine Wolff, Dresdner Barockorchester, Hans-Christoph Rademann's 'Mass No. 11 in D Major / Sanctus: IVa. Sanctus' came out on April 1, 2015. With Mass No. 11 in D Major / Sanctus: IVa. Sanctus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann David Heinichen, Christine Wolff, Monika Frimmer, Patrick Van Goethem, Kai Wessel, Uwe Stickert, Hermann Oswald, Jochen Kupfer, Andreas Scheibner, Egbert Junghanns, Dresdner Kammerchor, Hans-Christoph Rademann, Dresdner Barockorchester's "Johann David Heinichen: Messen" album is number 10 out of 35. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Mass No. 11 in D Major / Sanctus: IVa. Sanctus's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No. 11 in D Major / Sanctus: IVa. Sanctus by Johann David Heinichen, Patrick Van Goethem, Christine Wolff, Dresdner Barockorchester, Hans-Christoph Rademann to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Mass No. 9 in D Major / Gloria: IIc. Qui tollis | Johann David Heinichen, Heike Hallaschka, Marcus Ullmann, Dresdner Barockorchester, Hans-Christoph Rademann | A♭ Major | 2 | 4B | 129 BPM | ||
Concerto a 8 concertanti in G Major - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Allegro (1) | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | D♭ Major | 3 | 3B | 113 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
Sonata in C Minor, Jung III.2.B: II. Allegro | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | A Major | 3 | 11B | 116 BPM | ||
Overture for Orchestra in D Major, FWV K:D3: I. Ouverture | Johann Friedrich Fasch, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 182 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in E minor, Op. 6, No. 3: 2. Andante | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | E♭ Minor | 1 | 2A | 104 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Gelobet sei der Herr der Gott Israel: No. 8, Erleuchte und zeige uns Gnade und Friede - Gelobet sei der Herr, der Gott Israels | Johann David Heinichen, Sächsisches Vocalensemble, Batzdorfer Hofkapelle, Matthias Jung, Magdalene Harer, Bernadette Beckermann, Tobias Hunger, Felix Schwandtke | F♯ Major | 2 | 2B | 79 BPM |
Section: 0.6449408531188965
End: 0.6502549648284912