"Mass No. 9 in D Major / Gloria: IIc. Qui tollis" by Johann David Heinichen, Heike Hallaschka, Marcus Ullmann, Dresdner Barockorchester, Hans-Christoph Rademann was released on December 1, 1999. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Heike Hallaschka, Martina Lins-Reuber, Patrick Van Goethem, Marcus Ullmann, Jochen Kupfer, Dresdner Kammerchor, Dresdner Barockorchester, Hans-Christoph Rademann's "Heinichen: Missa Nr. 9; Zelenka: Te Deum" album is number 15 out of 26. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Mass No. 9 in D Major / Gloria: IIc. Qui tollis's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No. 9 in D Major / Gloria: IIc. Qui tollis by Johann David Heinichen, Heike Hallaschka, Marcus Ullmann, Dresdner Barockorchester, Hans-Christoph Rademann to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 9 in D Major / Credo: IIIb. Crucifixus | Johann David Heinichen, Heike Hallaschka, Jochen Kupfer, Dresdner Barockorchester, Hans-Christoph Rademann | A♭ Minor | 5 | 1A | 91 BPM | ||
Trio Sonata in D minor, Op.1 no.2: 1st movement: Grave | Francesco Geminiani, Bell'Arte Antiqua | D♭ Minor | 1 | 12A | 87 BPM | ||
Sonate A Violino E Violoncello O Cimbalo Opus V, Sonate 1 In D Major: Grave-Allegro | Jaap Ter Linden, Rémy Baudet, Arcangelo Corelli, Pieter-Jan Belder, Mike Fentross | G Major | 2 | 9B | 107 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Concerto in D Major, RV 781: I. Sinfonia. Allegro | Antonio Vivaldi, Federico Maria Sardelli, Modo Antiquo | A♭ Minor | 0 | 1A | 75 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Flute Concerto in D Major: III. Allegro assai | Baldassare Galuppi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | D Major | 2 | 10B | 115 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: III. Adagio | Francesco Geminiani, Capella Istropolitana | E Minor | 0 | 9A | 142 BPM | ||
Naïs - Ouverture | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | B Major | 5 | 1B | 125 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM |
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