"The New English Hymnal: No. 11, Veni, veni Emmanuel" by Traditional, St Edmundsbury Cathedral Choir, Michael Bawtree, James Thomas was released on 2003. The New English Hymnal: No. 11, Veni, veni Emmanuel is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 22 in the song's album "The Complete New English Hymnal, Vol. 12". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The New English Hymnal: No. 11, Veni, veni Emmanuel is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The New English Hymnal: No. 11, Veni, veni Emmanuel by Traditional, St Edmundsbury Cathedral Choir, Michael Bawtree, James Thomas having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auld Lang Syne (Arr. Knigge for Sopranino Recorder) | Traditional, Lucie Horsch, LUDWIG Orchestra | D Major | 1 | 10B | 133 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Pre-Eternal Counsel | Men's Choir of the Valaam Singing Culture Institute | E♭ Minor | 1 | 2A | 140 BPM | ||
Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2 | The Tallis Scholars, Peter Phillips | B Major | 3 | 1B | 84 BPM | ||
Ordinarium Missae: Kyrie | Traditional, Slovenski Madrigalisti | D Major | 0 | 10B | 84 BPM | ||
Child of Song | Kim André Arnesen, Beryl Fanslow, Kantorei, Joel Rinsema | C Minor | 0 | 5A | 73 BPM | ||
Gloria: Domine Fili unigenite | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E Major | 2 | 12B | 79 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | C Minor | 1 | 5A | 86 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Veni Creator Spiritus | Traditional, Monks And Choirboys Of Downside Abbey, David Lawson, Dom Dunstan O'Keeffe | B♭ Major | 2 | 6B | 83 BPM |
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