"Schubert: Erlkönig, Op. 1, D. 328" by Franz Schubert, Ian Bostridge, Julius Drake was released on May 1, 1998. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Schubert: Lieder". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. Schubert: Erlkönig, Op. 1, D. 328 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Erlkönig, Op. 1, D. 328 by Franz Schubert, Ian Bostridge, Julius Drake having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der König in Thule, Op. 5 No. 5, D. 367 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | G Major | 0 | 9B | 72 BPM | ||
Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | ||
Auch kleine Dinge können uns entzücken | Hugo Wolf, Mojca Erdmann | A Major | 0 | 11B | 68 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 41a. Evangelista, Judas "Des Morgens aber hielten alle Hohenpriester" - 41b. Chorus I & II "Was gehet uns an" - 41c. Evangelista, Pontifex I & II "Und er warf die Silberlinge in den Tempel" | Johann Sebastian Bach, Collegium Vocale Gent, Frits Vanhulle, Ian Bostridge, Dominik Wörner, Philippe Herreweghe | B♭ Minor | 1 | 3A | 112 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 92 BPM | ||
Symphonie Fantastique, Op. 14: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | G Minor | 1 | 6A | 76 BPM | ||
Erlkönig, D.328 (Op. 1) | Franz Schubert, Jessye Norman, Phillip Moll | F♯ Minor | 1 | 11A | 76 BPM | ||
Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM |
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