"Flute Concerto: Andante" by Jacques Ibert, James Galway, Charles Dutoit was released on 1978. Since Flute Concerto: Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 142 in the song's album "The Great Flute Concerto Edition". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Flute Concerto: Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flute Concerto: Andante by Jacques Ibert, James Galway, Charles Dutoit having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Escales: Rome - Palermo (Calme) | Jacques Ibert, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 110 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Jenő Jandó | B♭ Major | 0 | 6B | 78 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Siciliana (from "The Tree of Life", Arr. for Piano from Antiche Danze, Suite No. 3 by Ottorino Respighi) | Ottorino Respighi, Olga Scheps | E♭ Major | 0 | 5B | 69 BPM | ||
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
Adoration (Arr. for Cello & Orchestra by Julian Riem) | Florence Beatrice Price, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 86 BPM | ||
Trois Pièces Brèves | Jacques Ibert, Mayumi Kameda, Jean-Jacques Balet, Patrick Genet, Regis Plantevin, André Vauquet, Sven Forsberg, Steven Zlomke, Bernard Demottaz, Bernard Schenkel, René Meyer, Gregory Cass, Roger Birnstingl, Raul Esmerode, Lova Golovtchiner, Ensemble Serenata Genève | D Major | 1 | 10B | 78 BPM | ||
Nocturne in D-Flat Major, Op. 27, No. 2 | Frédéric Chopin, Brigitte Engerer | D♭ Major | 0 | 3B | 136 BPM | ||
3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM |
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