"Adolescentulus sum ego" by William Mundy, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson was released on June 22, 2018. With this song being about 5 minutes long, at 4:57, "Adolescentulus sum ego" by William Mundy, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of William Mundy: Sacred Choral Music by William Mundy, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson. The song's track number on the album is #7 out of 8 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Adolescentulus sum ego's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Adolescentulus sum ego by William Mundy, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Adolescentulus sum ego being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veni, creator Spiritus | William Mundy, Magnificat, Philip Cave | G Major | 1 | 9B | 110 BPM | ||
Beatus et sanctus | William Mundy, The Sixteen, Harry Christophers | A♭ Major | 1 | 4B | 80 BPM | ||
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Apostolo glorioso / Cum tua doctrina / Andreas Christi | Guillaume Dufay, Blue Heron, Scott Metcalfe | C Major | 2 | 8B | 166 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Come Holy Ghost | Thomas Attwood, Choir of Clare College, Cambridge, Timothy Brown | F Major | 0 | 7B | 132 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Dum transisset Sabbatum | John Taverner, Choir of Clare College, Cambridge, Graham Ross | D Minor | 1 | 7A | 76 BPM | ||
Three Elizabethan Partsongs: I. Sweet Day | Ralph Vaughan Williams, Quink Vocal Ensemble | E Minor | 0 | 9A | 91 BPM |
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