Pyotr Ilyich Tchaikovsky, Justus Frantz made "Schwanensee, Op. 20: Tanz der Schwäne" available on February 8, 2019. With Schwanensee, Op. 20: Tanz der Schwäne being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 2 in the song's album "Schwanensee / Swan Lake". In this album, this song's track order is #2. In terms of popularity, Schwanensee, Op. 20: Tanz der Schwäne is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Schwanensee, Op. 20: Tanz der Schwäne by Pyotr Ilyich Tchaikovsky, Justus Frantz having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Moldau (From Má Vlast): Die Moldau | Bedřich Smetana, Sinfonieorchester des Suddeutschen Rundfunks, Ferenc Fricsay | E Minor | 3 | 9A | 90 BPM | ||
Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra | D Minor | 5 | 7A | 168 BPM | ||
Boellmann: Suite gothique: Chorale | Conrad Zwicky | E♭ Major | 1 | 5B | 166 BPM | ||
Orchestral Suite in C Major, TWV 55:C3 "Hamburger Ebb und Fluth": VII. Der sturmende Aeolus | Georg Philipp Telemann, Stefano Bagliano, Collegium Pro Musica | F♯ Major | 4 | 2B | 140 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Coppélia: Galop final | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 3 | 5B | 79 BPM | ||
Morgenstimmung / Morning Mood | Edvard Grieg, Ronny Matthes | D♭ Major | 0 | 3B | 100 BPM | ||
Russische Fantasie No. 2 | Leo Portnoff, Monika Stauss Joensen, Birgitte Schnakenburg | D Minor | 2 | 7A | 132 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277: Ouverture (Adagio - Molto vivace) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | F Major | 3 | 7B | 88 BPM | ||
Hummelflug | Pianotainment - The Piano Boys | D Minor | 4 | 7A | 76 BPM |
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