Leo Portnoff, Monika Stauss Joensen, Birgitte Schnakenburg made "Russische Fantasie No. 2" available on June 5, 2009. The duration of Russische Fantasie No. 2 is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Russische Fantasie No. 2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Monika Stauss Joensen, Birgitte Schnakenburg's "Klassiskar Tónleikaperlur" album is number 26 out of 28. On top of that, France appears to be the country where this track was created. Based on our statistics, Russische Fantasie No. 2's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Russische Fantasie No. 2 by Leo Portnoff, Monika Stauss Joensen, Birgitte Schnakenburg to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse en La Mineur, KKIVb/11 | Frédéric Chopin, Emmanuelle Swiercz-Lamoure | A Minor | 1 | 8A | 67 BPM | ||
Polonaise de Concert, Op. 14 | David Popper, László Mező, Gábor Farkas | B♭ Major | 1 | 6B | 88 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Carl Bohm: Sarabande | Lucienne Lovano, Jean Dube | C Minor | 2 | 5A | 68 BPM | ||
La truite | Franz Schubert, Anne Gastinel, Claire Désert | D♭ Major | 0 | 3B | 182 BPM | ||
Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) | Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 2 | 6B | 141 BPM | ||
Arabesken: No. 12, Introduction and Polonaise | Carl Bohm, Miki Tsunoda, Benjamin Martin | D Major | 2 | 10B | 123 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
From Sonata, B: Dur Moderato Con Espressione | Monika Stauss Joensen, Birgitte Schnakenburg | F Major | 1 | 7B | 125 BPM | ||
Waltz In D Flat Major Opus 64 No. 1 | Rigutto Bruno | A♭ Major | 1 | 4B | 79 BPM |
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