- BPM
- 88
- Key
- B♭ Major
- Camelot
- 6B
Polonaise de Concert, Op. 14 - David Popper, László Mező, Gábor Farkas Information
- Acousticness
- 99%
- Danceability
- 28%
- Energy
- 12%
- Instrumentalness
- 88%
- Liveness
- 11%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 16%
- Popularity
- 12%
- Loudness
- -18.72 dB
Summary
"Polonaise de Concert, Op. 14" by David Popper, László Mező, Gábor Farkas had its release date on July 15, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Popper, D.: Music for Cello and Piano". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hungary. Polonaise de Concert, Op. 14 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Polonaise de Concert, Op. 14 BPM
With Polonaise de Concert, Op. 14 by David Popper, László Mező, Gábor Farkas having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Polonaise de Concert, Op. 14 Key
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen | B♭ Major | 0 | 6B | 90 BPM | |
 | Fifteen Easy Melodic-Harmonic Etudes with an Accompaniment of a Second Cello: No. 10 - Allegro Moderato | David Popper, Martin Rummel, Sebastian Hartung | C Major | 4 | 8B | 118 BPM | |
 | Tambourin Chinois, Op. 3 | Fritz Kreisler, Christian Li, Timothy Young | F Major | 3 | 7B | 161 BPM | |
 | Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | |
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | |
 | Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Allan Vogel, Bryan Pezzone | D Minor | 2 | 7A | 66 BPM | |
 | Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Bernard Haitink, Tim Hugh, Gordan Nikolitch, London Symphony Orchestra | A Major | 1 | 11B | 134 BPM | |
 | Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | |
 | String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | |
 | Gymnopedie No.1 | Erik Satie, Die 12 Cellisten der Berliner Philharmoniker | G Major | 1 | 9B | 81 BPM |
- ISRC
- HUA253262705
- Label
- L-M Records/RCA Records