Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave" - Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, The Monteverdi Choir, Thomas Allen, Monteverdi Orchestra Information

Acousticness: 96%
Danceability: 49%
Energy: 9%
Instrumentalness: 0%
Liveness: 15%
Loudness: 66%
Speechiness: 4%
Valence: 59%
Popularity: 13%
Loudness: -20.502 dB

Summary

Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, The Monteverdi Choir, Thomas Allen, Monteverdi Orchestra made "Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave"" available on January 1, 1990. The duration of Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave" is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Purcell : Music for Queen Mary (Apex)". In this album, this song's track order is #6. Based on our statistics, Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave" BPM

With Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave" by Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, The Monteverdi Choir, Thomas Allen, Monteverdi Orchestra having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave" Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Trumpet Tune	Bertalan Hock, György Geiger, Henry Purcell	D Major	2	10B	101 BPM
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea)	Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar	G Major	1	9B	77 BPM
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino	Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel	B♭ Major	0	6B	0 BPM
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully)	Jean-Baptiste Lully, Le Concert Des Nations	A Major	3	11B	144 BPM
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro	Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek	G Minor	3	6A	59 BPM
Viola da Gamba Suite in D Minor: V. Allegro	Carl Friedrich Abel, Paolo Pandolfo	D♭ Minor	0	12A	77 BPM
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia	Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner	F♯ Minor	1	11A	94 BPM
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses	François Couperin, Alexandre Tharaud	B♭ Major	1	6B	111 BPM
The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave"	Henry Purcell, Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner	F♯ Major	1	2B	135 BPM
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga	Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward	F Major	0	7B	104 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5642163753509521

End: 0.5785958766937256