Nikolai Kapustin made "Eight Concert Etudes Op. 40 Prelude" available on 1985. The duration of Eight Concert Etudes Op. 40 Prelude is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Eight Concert Etudes Op. 40 Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolai Kapustin's "Kapustin:Eight Concert Etudes" album is number 1 out of 14. On top of that, Japan appears to be the country where this track was created. Based on our statistics, Eight Concert Etudes Op. 40 Prelude's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Eight Concert Etudes Op. 40 Prelude by Nikolai Kapustin to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace | Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 130 BPM | ||
Piano Sonata No. 7 in B-Flat Major, Op. 83: 3. Precipitato | Sergei Prokofiev, Maurizio Pollini | A♭ Major | 5 | 4B | 89 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Symphony No.9 In D / 1. Satz: Andante comodo | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 172 BPM | ||
Estampes: III. Jardins sous la pluie | Claude Debussy, Alain Planès | E Major | 1 | 12B | 94 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: I. Balletto Detto 'Il Conte Orlando' | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 125 BPM | ||
Iberia - Piano (Pub.1906) - Book 1: 1. Evocación | Isaac Albéniz, Alicia de Larrocha | D♭ Major | 0 | 3B | 69 BPM | ||
10 Préludes, Op. 23: No. 4. Andante cantabile in D Major | Sergei Rachmaninoff, Nikolai Lugansky | A Major | 1 | 11B | 172 BPM | ||
Schumann, Clara: Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Sophie Pacini | A♭ Major | 2 | 4B | 78 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto) | Franz Liszt, Daniil Trifonov | A Major | 3 | 11B | 106 BPM |
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