Sergei Prokofiev, Maurizio Pollini made "Piano Sonata No. 7 in B-Flat Major, Op. 83: 3. Precipitato" available on January 1, 1995. The duration of Piano Sonata No. 7 in B-Flat Major, Op. 83: 3. Precipitato is about 3 minutes long, at 3:17. Based on our data, "Piano Sonata No. 7 in B-Flat Major, Op. 83: 3. Precipitato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Stravinsky: Three Dances from Petruschka'/ Prokofiev: Piano Sonata No.7 / Webern: Piano Variations". In this album, this song's track order is #6. Piano Sonata No. 7 in B-Flat Major, Op. 83: 3. Precipitato is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Piano Sonata No. 7 in B-Flat Major, Op. 83: 3. Precipitato by Sergei Prokofiev, Maurizio Pollini having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No.1 In G Minor, Op.25, MWV O7: 3. Presto | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | G Major | 2 | 9B | 97 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
12 Monferrinas, Op. 49: III. Allegretto con espressione | Muzio Clementi, Howard Shelley | A♭ Major | 0 | 4B | 72 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
24 Preludes, Op. 34: No. 20 in C Minor. Allegretto furioso | Dmitri Shostakovich, Tatiana Nikolayeva | E♭ Major | 4 | 5B | 81 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
The Love For Three Oranges, Op. 33: March | Sergei Prokofiev, Nemanja Radulović, Les Trilles Du Diable, Laure Favre-Kahn | G Major | 0 | 9B | 117 BPM | ||
Piano Quintet in A, Op. 81: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Sviatoslav Richter, Borodin Quartet | G Major | 1 | 9B | 76 BPM |
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