"Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace" by Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra was released on 1956. Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace appears to be safe for all ages as it is not explicit. The song is number 1 out of 5 in Bartók: Concerto for Orchestra, Sz. 116 by Béla Bartók, Fritz Reiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace by Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto (Allegretto) | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 96 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 98 BPM | ||
Piano Sonata No. 1 - Mässig bewegt - Stereo Version | Alban Berg, Glenn Gould | B Major | 1 | 1B | 104 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Van Cliburn, Fritz Reiner | E Major | 1 | 12B | 92 BPM | ||
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | ||
Nocturnes, L.91: III. Sirènes | Claude Debussy, Cleveland Orchestra, Pierre Boulez, Ladies of the Cleveland Orchestra Chorus | F♯ Major | 0 | 2B | 81 BPM | ||
Scythian Suite, Op. 20: III. Night | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 0 | 8B | 178 BPM | ||
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM | ||
Violin Concerto "To the Memory of an Angel": I. Andante – Allegretto | Alban Berg, Berliner Philharmoniker, Frank Peter Zimmermann, Kirill Petrenko | G Major | 1 | 9B | 70 BPM |
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