"Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": I. Allegro con brio" by Ludwig van Beethoven, Wilhelm Kempff had its release date on January 1, 1965. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Beethoven: Piano Sonatas Nos.21 "Waldstein-Sonate", 23 "Appassionata" & 26 "Les Adieux" by Ludwig van Beethoven, Wilhelm Kempff. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": I. Allegro con brio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": I. Allegro con brio by Ludwig van Beethoven, Wilhelm Kempff is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Andrei Gavrilov, Philadelphia Orchestra, Riccardo Muti | C Minor | 1 | 5A | 57 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Sinfonía No. 7 in A Major, Op. 92: II. Allegretto | Orquesta Filarmónica De Hamburgo, August Riabel | E Minor | 1 | 9A | 131 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. 6 | Clara Schumann, Lisa Maria Schachtschneider | B Minor | 0 | 10A | 77 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Thaïs: Méditation (Arr. for Cello & Piano) | Jules Massenet, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 80 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Javier Perianes | A Major | 2 | 11B | 103 BPM | ||
Violin Concerto No. 2 in G Minor, Op. 131: II. Adagio quasi andante | Benjamin Godard, Chloë Hanslip, Slovak State Philharmonic Orchestra, Kosice, Kirk Trevor | D Major | 1 | 10B | 167 BPM | ||
Impromptus, Op. 90, D. 899: Impromptu No. 3 in G-Flat Major | Franz Schubert, Simone Dinnerstein | F♯ Major | 0 | 2B | 64 BPM |