Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon made "Suite From Abdelzar: V. Hornpipe" available on April 9, 2002. With Suite From Abdelzar: V. Hornpipe being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 24 in A Baroque Feast by Tafelmusik Baroque Orchestra, Jeanne Lamon. In terms of popularity, Suite From Abdelzar: V. Hornpipe is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Suite From Abdelzar: V. Hornpipe by Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From Samson (Act I): Sinfonia, HWV 57: II. Allegro | George Frideric Handel, Anthony Halstead, Christian Rutherford, The English Concert, Trevor Pinnock | F♯ Major | 4 | 2B | 117 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
Flute Concerto in D Minor, QV 5:81: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Major | 0 | 5B | 134 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Suite in G Minor, BWV 1070: II. Torneo | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 1 | 11B | 98 BPM | ||
Sonata In E Minor For Violin And Continuo: Moderato | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | E Minor | 2 | 9A | 103 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
The Fairy Queen, Z. 629: Act II: Prelude | The Scholars Baroque Ensemble, Elkanah Settle, Henry Purcell | F♯ Major | 0 | 2B | 78 BPM |
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