"La giovinetta pianta" by Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg was released on January 1, 2000. The duration of La giovinetta pianta is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. La giovinetta pianta's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Sex Chordae Consort of Viols, John Dornenburg's "Monteverdi, C.: Madrigals for Viol Consort, Book 3 (Sex Chordae Consort of Viols, Dorenburg)" album is number 17 out of 20. On top of that, United States appears to be the country where this track was created. La giovinetta pianta is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La giovinetta pianta by Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Rejoice in the Lord alway, verse anthem, Z.49 | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 1 | 3B | 73 BPM | ||
Frescos ayres del prado | Antoine Boësset, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 104 BPM | ||
Anima mia, perdona | Claudio Monteverdi, I Fagiolini, Robert Hollingworth | D Minor | 1 | 7A | 129 BPM | ||
Nos esprits libres et contents | Anonymous, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 107 BPM | ||
Herr, wenn ich nur dich hab, BuxWV 38 | Dietrich Buxtehude, Purcell Quartet, Suzie LeBlanc | G Major | 1 | 9B | 88 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | E♭ Minor | 1 | 2A | 84 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM |
Section: 0.59873366355896
End: 0.6024448871612549