- BPM
- 64
- Key
- B Minor
- Camelot
- 10A
Sinfonía No. 6 en Si Menor, Op.74 "Patética" : Finale - Adagio lamentoso - The Royal Alhambra Orchestra Information
- Acousticness
- 97%
- Danceability
- 17%
- Energy
- 5%
- Instrumentalness
- 84%
- Liveness
- 32%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 0%
- Loudness
- -20.228 dB
Summary
"Sinfonía No. 6 en Si Menor, Op.74 "Patética" : Finale - Adagio lamentoso" by The Royal Alhambra Orchestra was released on January 14, 2013. Sinfonía No. 6 en Si Menor, Op.74 "Patética" : Finale - Adagio lamentoso appears to be safe for all ages as it is not explicit. The song is number 15 out of 23 in Classical Strings by The Royal Alhambra Orchestra. Sinfonía No. 6 en Si Menor, Op.74 "Patética" : Finale - Adagio lamentoso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Sinfonía No. 6 en Si Menor, Op.74 "Patética" : Finale - Adagio lamentoso BPM
The tempo marking of Sinfonía No. 6 en Si Menor, Op.74 "Patética" : Finale - Adagio lamentoso by The Royal Alhambra Orchestra is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Sinfonía No. 6 en Si Menor, Op.74 "Patética" : Finale - Adagio lamentoso Key
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | |
 | Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | |
 | Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft | Robert Schumann, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 117 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | G Major | 1 | 9B | 82 BPM | |
 | Fantasia On "Greensleeves" | Ralph Vaughan Williams, Robert Haydon Clark, Consort of London | C Minor | 1 | 5A | 86 BPM | |
 | Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor | Robert Schumann, Anne Gastinel | F Major | 1 | 7B | 104 BPM | |
 | Humoreske No. 7 für Klavier Solo in G-Flat Major, Op. 101 | Květa Novotná | F♯ Major | 0 | 2B | 65 BPM | |
 | Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Minor | 2 | 4A | 172 BPM | |
 | Debussy / Orch. Stokowski: Suite bergamasque, CD 82, L. 75: III. Clair de lune | Claude Debussy, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Major | 0 | 2B | 113 BPM | |
 | Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6670799255371094
End: 0.6710541248321533