"Sovra tenere herbette" by Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg was released on January 1, 2000. The duration of Sovra tenere herbette is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Sovra tenere herbette's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Sex Chordae Consort of Viols, John Dornenburg's "Monteverdi, C.: Madrigals for Viol Consort, Book 3 (Sex Chordae Consort of Viols, Dorenburg)" album is number 3 out of 20. On top of that, United States appears to be the country where this track was created. Sovra tenere herbette is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sovra tenere herbette by Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D Major, BWV 243: X. Suscepit Israel | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Lamento della ninfa: II. Amor | Claudio Monteverdi, Ann Wallström, Stefan Lindvall, David Gammelgård, Anders Ericson, Mattias Frostenson, Fredrik Malmberg, Harmony of Voices | A♭ Minor | 1 | 1A | 68 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Ciaconna | Andrea Falconieri, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 94 BPM | ||
Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
Te Deum, H. 146: V. Tu devicto mortis aculeo | Marc-Antoine Charpentier, Véronique Gens, Jean-Paul Fouchécourt, William Christie, Bernard Deletré, Les Arts Florissants, Gilles Ragon | D♭ Major | 3 | 3B | 124 BPM | ||
Mass for five voices: Mass for five voices: V. Agnus Dei | William Byrd, Ora Singers | E♭ Major | 1 | 5B | 61 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIj. Magnificat "Sicut locutus est" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Collegium Vocale Gent | B♭ Minor | 1 | 3A | 82 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM |
Section: 0.6519126892089844
End: 0.6569788455963135