Mario del Monaco's 'O sole mio' had a release date set for February 24, 1951. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mario del Monaco's "L'incredibile Mario del Monaco" album is number 31 out of 41. On top of that, Germany appears to be the country where this track was created. The popularity of O sole mio is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O sole mio by Mario del Monaco to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4d, "Ah! bello a me ritorna" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, Terry Edwards, London Symphony Orchestra, Evelino Pidò | F Major | 1 | 7B | 116 BPM | ||
La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
La Chulapona: "Ese Pañuelito Blanco" | Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal | D♭ Major | 4 | 3B | 82 BPM | ||
Core 'ngrato | Salvatore Cardillo, Mario del Monaco, Orchestra, Ernest Nicelli | E♭ Major | 3 | 5B | 175 BPM | ||
Die Walküre / Act 1: "Ein Schwert verhieß mir der Vater" | Richard Wagner, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Franci | B♭ Major | 4 | 6B | 134 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
The Merry Widow / Act 2: Duet: Love unspoken, love unbroken | Franz Lehár, Werner Krenn, Joan Sutherland, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 86 BPM | ||
La Traviata (Oper in 3 Akten) | Mirella Freni | D♭ Major | 2 | 3B | 81 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro di Torino della RAI, Orchestra di Torino della RAI | A Major | 1 | 11B | 102 BPM |