Giovanni Battista Bassani, Ensemble StilModerno made "Sonata No. 8 in G Minor: VI. Allegro" available on December 11, 2012. With Sonata No. 8 in G Minor: VI. Allegro being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 38 out of 58 in Bassani: Sinfonie, Op. 5 by Giovanni Battista Bassani, Ensemble StilModerno. In terms of popularity, Sonata No. 8 in G Minor: VI. Allegro is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sonata No. 8 in G Minor: VI. Allegro by Giovanni Battista Bassani, Ensemble StilModerno is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 9 in C: I. Presto | Giovanni Battista Bassani, Ensemble StilModerno | C Major | 2 | 8B | 115 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
Stabat Mater in G Minor: III. Quis est homo | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 86 BPM | ||
Biber: Requiem a 15 in A Major: II. Kyrie | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 135 BPM | ||
Gib dich zufrieden, BWV 511 | Johann Sebastian Bach, Carolyn Sampson, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Trio Sonata in D Minor, Op. 3 No. 5: III. Largo | Arcangelo Corelli, Ensemble Aurora, Enrico Gatti | F♯ Minor | 0 | 11A | 136 BPM | ||
Markuspassion: I. Jesus Christus ist um unser Missetat willen | Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël Suhubiette | F♯ Minor | 2 | 11A | 72 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VIII. Gloria Patri et Filio | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
[Suite en la majeur]: I. Prélude (No. 17) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 112 BPM | ||
Mystery (Rosary) Sonata: No. 5 in A Major “The Finding of Jesus in the Temple”: II. Allaman | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM |
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