Wilhelm Peterson-Berger, Noriko Ogawa's 'Frösöblomster I, Op. 16: No. 2, Sommarsang (Summer Song)' came out on April 1, 1998. The duration of Frösöblomster I, Op. 16: No. 2, Sommarsang (Summer Song) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Frösöblomster I, Op. 16: No. 2, Sommarsang (Summer Song)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Peterson-Berger: Frosoblomster". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Frösöblomster I, Op. 16: No. 2, Sommarsang (Summer Song)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Frösöblomster I, Op. 16: No. 2, Sommarsang (Summer Song) by Wilhelm Peterson-Berger, Noriko Ogawa having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frosoblomster (Froso-Flowers), Book 1, Op. 16: No. 5. Gratulation (Congratulations) | Wilhelm Peterson-Berger, Niklas Sivelov | D Major | 1 | 10B | 109 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
Ut mot havet (Out to Sea): Ut mot havet [Towards the Sea] | Edvard Fliflet Bræin, Stavanger Symphony Orchestra, Roland Straumer | C Major | 0 | 8B | 106 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
Forsboda - from Den Goda Viljan | Stefan Nilsson | F♯ Minor | 0 | 11A | 85 BPM | ||
Song For Athene | John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton | B♭ Major | 0 | 6B | 97 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Grieg: Lyric Pieces, Book 8, Op. 65: VI. Wedding Day at Troldhaugen | Edvard Grieg, Leif Ove Andsnes | D Major | 0 | 10B | 137 BPM | ||
Canon and Gigue in D Major, P. 37 | Johann Pachelbel, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 79 BPM | ||
The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM |
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