"Ut mot havet (Out to Sea): Ut mot havet [Towards the Sea]" by Edvard Fliflet Bræin, Stavanger Symphony Orchestra, Roland Straumer was released on November 1, 2002. The duration of Ut mot havet (Out to Sea): Ut mot havet [Towards the Sea] is about 3 minutes long, at 3:12. Based on our data, "Ut mot havet (Out to Sea): Ut mot havet [Towards the Sea]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Norwegian Rhapsody - Orchestral Favourites". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Ut mot havet (Out to Sea): Ut mot havet [Towards the Sea] is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ut mot havet (Out to Sea): Ut mot havet [Towards the Sea] by Edvard Fliflet Bræin, Stavanger Symphony Orchestra, Roland Straumer having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Viola and Orchestra | Edvard Fliflet Bræin, Norwegian Chamber Orchestra | G Major | 1 | 9B | 180 BPM | ||
Jephtha, HWV 70, Act II Scene 2: In glory high, in might serene (Chorus) | George Frideric Handel, James Gilchrist, Mona Julsrud, Elisabeth Jansson, Håvard Stensvold, Marianne Beate Kielland, Elizabeth Rapp, Collegium Vocale Gent, Stavanger Symphony Orchestra, Fabio Biondi, Audience | B♭ Major | 1 | 6B | 176 BPM | ||
Copenhagen Steam Railway Galop for Orchestra | Hans Christian Lumbye, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 3 | 10B | 102 BPM | ||
Holmenkollmarsj | Allan Johanson, Gardemusikken | E♭ Major | 3 | 5B | 118 BPM | ||
Wedding Day At Troldhaugen Op.65/6 | Radio Orchestra Berlin | D Major | 1 | 10B | 117 BPM | ||
Theme from the Onedin Line | John Keating/London Symphony Orchestra | D♭ Major | 3 | 3B | 112 BPM | ||
Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
Suite im alten Stil, Op. 10: Adagio | Christian Sinding, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 1 | 8A | 94 BPM | ||
Orfeo ed Euridice: Dance of the Blessed Spirits | Christoph Willibald Gluck, Slovak State Philharmonic Orchestra, Johannes Wildner | F Major | 0 | 7B | 138 BPM | ||
Bryllupsmarch | Felix Mendelssohn, Den Kongelige Livgardes Musikkorps | B♭ Major | 1 | 6B | 75 BPM |
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