Henryk Wieniawski, David Oistrakh, Igor Oistrakh's 'Etudes - Caprices for 2 Violins, Op. 18: No. 2 in E Flat Major' came out on January 1, 2000. With this song being about 5 minutes long, at 5:14, "Etudes - Caprices for 2 Violins, Op. 18: No. 2 in E Flat Major" by Henryk Wieniawski, David Oistrakh, Igor Oistrakh is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: L'estro armonico Opus 3: Concerto No.8 in A minor R522 by Johann Sebastian Bach, Christopher Hogwood, Davitt Moroney, Christophe Rousset, Colin Tilney, Academy of Ancient Music, David Oistrakh, Igor Oistrakh, Wladimir Yampolsky, Hans Pirschner, Royal Philharmonic Orchestra, Gewandhausorchester Leipzig, Franz Konwitschny. The song's track number on the album is #14 out of 17 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Etudes - Caprices for 2 Violins, Op. 18: No. 2 in E Flat Major is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Etudes - Caprices for 2 Violins, Op. 18: No. 2 in E Flat Major by Henryk Wieniawski, David Oistrakh, Igor Oistrakh has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Etudes - Caprices for 2 Violins, Op. 18: No. 2 in E Flat Major being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Sonata for Violin and Piano in A Major: Allegretto poco mosso | César Franck, Ray Chen | A Major | 2 | 11B | 96 BPM | ||
Serenade in E Minor, Op. 20: III. Allegretto | Edward Elgar, Wales Camerata, Owain Arwel Hughes | G Major | 0 | 9B | 78 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Violin Concerto No. 3 In E Major, MS 50: II. Adagio, Cantabile Spianato | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | A Major | 0 | 11B | 98 BPM |
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