"Das Rheingold, WWV 86a, Scene 3: Scene 3: Nibelheim hier: durch bleiche Nebel (Loge, Mime, Wotan)" by Richard Wagner, Hans Hotter, Bayreuth Festival Orchestra, Ludwig Suthaus, Paul Kuen, Hans Knappertsbusch was released on January 1, 2016. With this song being about 5 minutes long, at 5:22, "Das Rheingold, WWV 86a, Scene 3: Scene 3: Nibelheim hier: durch bleiche Nebel (Loge, Mime, Wotan)" by Richard Wagner, Hans Hotter, Bayreuth Festival Orchestra, Ludwig Suthaus, Paul Kuen, Hans Knappertsbusch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Der Ring des Nibelungen, WWV 86 (Live) by Richard Wagner, Bayreuth Festival Orchestra, Hans Knappertsbusch. The song's track number on the album is #2 out of 172 tracks. Based on our data, Germany was the country where this track was produced or recorded. Das Rheingold, WWV 86a, Scene 3: Scene 3: Nibelheim hier: durch bleiche Nebel (Loge, Mime, Wotan) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold, WWV 86a, Scene 3: Scene 3: Nibelheim hier: durch bleiche Nebel (Loge, Mime, Wotan) by Richard Wagner, Hans Hotter, Bayreuth Festival Orchestra, Ludwig Suthaus, Paul Kuen, Hans Knappertsbusch has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Das Rheingold, WWV 86a, Scene 3: Scene 3: Nibelheim hier: durch bleiche Nebel (Loge, Mime, Wotan) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Don Giovanni: Atto Secundo, Scena 15: "Don Giovanni, a cenar teco" | Wolfgang Amadeus Mozart, Alessandro Guerzoni, Freiburger Barockorchester, Johannes Weisser, Lorenzo Regazzo, RIAS Kammerchor, René Jacobs | B♭ Major | 4 | 6B | 101 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Shéhérazade, M. 41: 1. Asie | Maurice Ravel, Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet | D♭ Minor | 1 | 12A | 101 BPM | ||
Eine Alpensinfonie: VI. Auf dem Gipfel | Richard Strauss, Bernard Haitink, London Symphony Orchestra | C Major | 1 | 8B | 78 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM |
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