Pablo de Sarasate, Jascha Heifetz, Sir John Barbirolli's 'Zigeunerweisen, Op. 20 / Airs bohémien: Moderato' came out on 1975. With Zigeunerweisen, Op. 20 / Airs bohémien: Moderato being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 13 in the song's album "The Heifetz Collection - Vol. 4". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Zigeunerweisen, Op. 20 / Airs bohémien: Moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Zigeunerweisen, Op. 20 / Airs bohémien: Moderato by Pablo de Sarasate, Jascha Heifetz, Sir John Barbirolli having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Études, Op. 10: No. 1 in C Major "Waterfall" | Frédéric Chopin, Maurizio Pollini | C Major | 3 | 8B | 86 BPM | ||
Gypsy Airs for Violin and Orchestra, Op. 20 | Pablo de Sarasate, Dresdner Philharmonie, Heinz Bongartz, Ion Voicu | C Minor | 2 | 5A | 80 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
Liebestraum, S. 541, No. 3 | Franz Liszt, Evgeny Kissin | E♭ Major | 0 | 5B | 75 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen | B♭ Major | 0 | 6B | 90 BPM | ||
Carmen Fantasy, Op. 25: V. Moderato - Animato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Minor | 3 | 8A | 136 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM |
Section: 0.6219463348388672
End: 0.6261000633239746