"Berlioz: La mort de Cléopâtre, H 36" by Hector Berlioz, Louis Langrée, Orchestre De L'Opéra National De Lyon was released on November 15, 2000. Berlioz: La mort de Cléopâtre, H 36 appears to be safe for all ages as it is not explicit. The song is number 7 out of 10 in Berlioz: Les Nuits d'été by Hector Berlioz, Véronique Gens, Louis Langrée, Orchestre De L'Opéra National De Lyon. Berlioz: La mort de Cléopâtre, H 36 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: La mort de Cléopâtre, H 36 by Hector Berlioz, Louis Langrée, Orchestre De L'Opéra National De Lyon is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berlioz: Béatrice et Bénédict, H. 138: Overture | Hector Berlioz, John Nelson, Orchestre de l'Opéra de Lyon | G Major | 0 | 9B | 109 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Overture | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | C Major | 3 | 8B | 92 BPM | ||
The Damnation of Faust, Op. 24, H. 111, Scene 5: 'Ô pure émotion!' - Live | Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, John Irvin | D♭ Major | 1 | 3B | 118 BPM | ||
Polovetsian Dances from Prince Igor: Presto I | Alexander Borodin, George Szell, Cleveland Orchestra | D Minor | 3 | 7A | 109 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.4 in F Major (Tempo di minuetto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | F Major | 1 | 7B | 119 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM |
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