Wolfgang Amadeus Mozart, Osian Ellis, Karl-Hermann Pillney, Kenneth Smith, Bryn Lewis, Philharmonia Orchestra, Giuseppe Sinopoli's 'Concerto for Flute, Harp, and Orchestra in C, K.299: 1. Allegro' came out on January 1, 1993. Concerto for Flute, Harp, and Orchestra in C, K.299: 1. Allegro appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Kenneth Smith, Bryn Lewis, John Anderson, Michael Collins, Richard Watkins, Meyrick Alexander, Philharmonia Orchestra, Giuseppe Sinopoli's "Mozart: Flute & Harp Concerto K.299; Sinfonia concertante K.297b" album is number 1 out of 6. Based on our statistics, Concerto for Flute, Harp, and Orchestra in C, K.299: 1. Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto for Flute, Harp, and Orchestra in C, K.299: 1. Allegro by Wolfgang Amadeus Mozart, Osian Ellis, Karl-Hermann Pillney, Kenneth Smith, Bryn Lewis, Philharmonia Orchestra, Giuseppe Sinopoli to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Horn Concerto No. 2 in E-Flat Major, K. 417: III. Rondo | Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich | E♭ Major | 0 | 5B | 109 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Symphony No. 1 in G Minor: I. Allegro | Étienne Nicolas Méhul, Christoph Konig, Soloists Européens Luxembourg | G Minor | 3 | 6A | 90 BPM | ||
Festive Overture Op.96 | Dmitri Shostakovich, Philharmonia Orchestra, Vladimir Ashkenazy | A Major | 4 | 11B | 80 BPM | ||
Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso | Johann Sebastian Bach, Elizabeth Wallfisch, Lisa Beznosiuk, Malcolm Proud, Orchestra of the Age of Enlightenment | B♭ Minor | 0 | 3A | 135 BPM | ||
Hungarian Dance No.17 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | ||
Nonet in E-Flat Major, Op. 38: IV. Adagio - Allegro | Louise Farrenc, Consortium Classicum | E♭ Major | 0 | 5B | 119 BPM | ||
String Quartet No. 1 in G Major, K. 80: I. Adagio | Eder Quartet | G Major | 1 | 9B | 92 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 60 BPM | ||
Sonata No. 15 in C Major, III. Rondo | Maria João Pires | C Major | 2 | 8B | 98 BPM |
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