"Ernani / Part 1: "Ernani! Ernani, involami"" by Giuseppe Verdi, Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi was released on April 6, 2024. The duration of Ernani / Part 1: "Ernani! Ernani, involami" is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Ernani / Part 1: "Ernani! Ernani, involami"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 68 in Dies irae by Giuseppe Verdi. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Ernani / Part 1: "Ernani! Ernani, involami" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ernani / Part 1: "Ernani! Ernani, involami" by Giuseppe Verdi, Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Rigoletto / Act 3: "Ah, più non ragiono!..." | Giuseppe Verdi, Dame Joan Sutherland, Huguette Tourangeau, Martti Talvela, London Symphony Orchestra, Richard Bonynge | A Major | 4 | 11B | 107 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
La Gioconda / Act II: "Cielo e mar" | Amilcare Ponchielli, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | E♭ Major | 2 | 5B | 80 BPM | ||
Nabucco / Act 2: Deh, fratelli, perdonate | Giuseppe Verdi, Anna D'Auria, Walter Krautler, Carlo Cava, Dora Carral, Bruno Prevedi, Giovanni Foiani, Tito Gobbi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto Gardelli | E Major | 2 | 12B | 126 BPM | ||
Verdi: Rigoletto, Act 3: "La donna è mobile" (Duca) | Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera, Richard Leech | D Major | 1 | 10B | 131 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | ||
Nabucco: Chorus of the Hebrew Slaves, "Va pensiero, sull'ali dorate" | London Philharmonic Orchestra | D♭ Major | 1 | 3B | 124 BPM |
Section: 0.6133155822753906
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