"Octet in E-Flat Major, Op. 20, MWV R20: I. Allegro moderato, ma con fuoco" by Felix Mendelssohn, Daniel Hope, Lucy Gould, Sophie Besancon, Christian Eisenberger, Pascal Siffert, Stewart Eaton, William Conway, Kate Gould was released on January 1, 2007. Octet in E-Flat Major, Op. 20, MWV R20: I. Allegro moderato, ma con fuoco appears to be safe for all ages as it is not explicit. The track order of this song in Felix Mendelssohn, Daniel Hope, Chamber Orchestra of Europe, Thomas Hengelbrock's "Mendelssohn" album is number 4 out of 12. On top of that, Germany appears to be the country where this track was created. Octet in E-Flat Major, Op. 20, MWV R20: I. Allegro moderato, ma con fuoco is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Octet in E-Flat Major, Op. 20, MWV R20: I. Allegro moderato, ma con fuoco by Felix Mendelssohn, Daniel Hope, Lucy Gould, Sophie Besancon, Christian Eisenberger, Pascal Siffert, Stewart Eaton, William Conway, Kate Gould to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | B Major | 1 | 1B | 68 BPM | ||
Greensleeves | Anonymous, Daniel Hope, Stefan Maass, Stefan Rath | E Minor | 0 | 9A | 107 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
West Side Story Suite: III. Tonight (Version for Solo Violin and String Orchestra) | Leonard Bernstein, Daniel Hope, Zürcher Kammerorchester | E Major | 0 | 12B | 76 BPM | ||
Gnossiennes: No. 1 | Erik Satie, Daniel Hope, Christoph Israel | B♭ Major | 0 | 6B | 120 BPM | ||
Keyboard Concerto in G Major, Hob. XVIII:4: II. Adagio | Joseph Haydn, Emanuel Ax, Franz Liszt Chamber Orchestra | A Minor | 2 | 8A | 143 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM |
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