"Requiem Mass, 1605: Gradual, Requiem aeternam" by Tomás Luis de Victoria, Tenebrae, Nigel Short was released on March 28, 2011. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #5 out of 32 tracks. Based on our statistics, Requiem Mass, 1605: Gradual, Requiem aeternam's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem Mass, 1605: Gradual, Requiem aeternam by Tomás Luis de Victoria, Tenebrae, Nigel Short has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Requiem Mass, 1605: Gradual, Requiem aeternam being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
There Will Come Soft Rains | Rebecca Dale, Sara Teasdale, Tenebrae, Nigel Short, Philharmonia Orchestra | B♭ Major | 1 | 6B | 67 BPM | ||
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Psalm 148, Lord who has made us for Thine own | Gustav Holst, Tenebrae | C Major | 2 | 8B | 138 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Stabat mater: Ave verum corpus | Karl Jenkins, Polyphony, Stephen Layton | B Major | 1 | 1B | 128 BPM | ||
Now Sleeps The Crimson Petal (Four Madrigals On Rose Texts): Upon A Bank | Paul Mealor, Tenebrae, Nigel Short | D♭ Minor | 0 | 12A | 150 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Gladsome Light | Pavel Chesnokov, Tenebrae, Nigel Short | A Major | 0 | 11B | 116 BPM | ||
Fest- und Gedenksprüche, Op. 109: I. Unsere Väter hofften auf dich | Johannes Brahms, Tenebrae, Nigel Short | F Major | 3 | 7B | 127 BPM |
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