Johannes Brahms, Tenebrae, Nigel Short's 'Fest- und Gedenksprüche, Op. 109: I. Unsere Väter hofften auf dich' came out on October 30, 2015. The duration of Fest- und Gedenksprüche, Op. 109: I. Unsere Väter hofften auf dich is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Fest- und Gedenksprüche, Op. 109: I. Unsere Väter hofften auf dich's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 18 in Brahms & Bruckner: Motets by Tenebrae, Nigel Short. Based on our statistics, Fest- und Gedenksprüche, Op. 109: I. Unsere Väter hofften auf dich's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fest- und Gedenksprüche, Op. 109: I. Unsere Väter hofften auf dich by Johannes Brahms, Tenebrae, Nigel Short is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in E-Flat Major (Cantus missae), Op.109: V. Benedictus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 88 BPM | ||
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
Faire is the Heaven | William Henry Harris, Tenebrae | D♭ Major | 1 | 3B | 136 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
Hymn to the Cherubim | Sergei Rachmaninoff, Tenebrae | G Major | 1 | 9B | 140 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Sieh, Wie Ist Die Welle Klar | Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer Miller | E♭ Major | 0 | 5B | 115 BPM |
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