Antonio Vivaldi, Roberta Invernizzi, La Risonanza, Fabio Bonizzoni made "Orlando finto pazzo, RV 727, Act II: Aria: Se garrisce la rondinella" available on May 1, 2012. Orlando finto pazzo, RV 727, Act II: Aria: Se garrisce la rondinella is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. This song is part of Vivaldi: Opera Arias by Antonio Vivaldi, Roberta Invernizzi, Fabio Bonizzoni. The song's track number on the album is #6 out of 14 tracks. Based on our data, Spain was the country where this track was produced or recorded. Orlando finto pazzo, RV 727, Act II: Aria: Se garrisce la rondinella is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Orlando finto pazzo, RV 727, Act II: Aria: Se garrisce la rondinella by Antonio Vivaldi, Roberta Invernizzi, La Risonanza, Fabio Bonizzoni has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Orlando finto pazzo, RV 727, Act II: Aria: Se garrisce la rondinella being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Swan Lake Suite, Op. 20: Scène | London Philharmonic Orchestra | E Minor | 3 | 9A | 77 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 3. Allegro | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D♭ Minor | 1 | 12A | 87 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM |
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