"III. Sie Werden Euch In Den Bann Tun BWV 44, Aria (Duetto: Tenore, Basso): Sie Werden Euch In Den Bann Tun" by Pieter Jan Leusink, Holland Boys Choir; Netherlands Bach Collegium, Eduard Wesley, Bas Ramselaar, Sytse Buwalda, Peter Frankenberg, Knut Schoch, Johann Sebastian Bach, Ruth Holton had its release date on December 20, 2006. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. III. Sie Werden Euch In Den Bann Tun BWV 44, Aria (Duetto: Tenore, Basso): Sie Werden Euch In Den Bann Tun's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 19 in Bach Cantatas (Complete) Part: 6 by Pieter Jan Leusink. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of III. Sie Werden Euch In Den Bann Tun BWV 44, Aria (Duetto: Tenore, Basso): Sie Werden Euch In Den Bann Tun is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. Sie Werden Euch In Den Bann Tun BWV 44, Aria (Duetto: Tenore, Basso): Sie Werden Euch In Den Bann Tun by Pieter Jan Leusink, Holland Boys Choir; Netherlands Bach Collegium, Eduard Wesley, Bas Ramselaar, Sytse Buwalda, Peter Frankenberg, Knut Schoch, Johann Sebastian Bach, Ruth Holton is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | ||
Allein zu dir, Herr Jesu Christ | Johann Pachelbel, Dieter Glös | B♭ Major | 0 | 6B | 62 BPM | ||
Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Major | 3 | 1B | 58 BPM | ||
Vater unser im Himmelreich, Variation 10 | Johann Ulrich Steigleder, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Nico Van Der Meel, Pieter Jan Leusink | D Major | 0 | 10B | 77 BPM | ||
Vivat Rex | David John Hicken, David Hicken | D Minor | 1 | 7A | 76 BPM | ||
III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend | Pieter Jan Leusink, Louis Van Emmerik, Marjon Strijk, Bas Ramselaar, Susan Williams, Holland Boys Choir, Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman | B Minor | 1 | 10A | 126 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter Kooij, Paul Dombrecht | F♯ Minor | 1 | 11A | 82 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
The Fairy Queen, Z. 629, Act II: Air | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | B Major | 2 | 1B | 112 BPM |