"Suite romantica: I. Notte adriatica" by Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli had its release date on April 12, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 10 in Alfano: Suite romantica, Una danza & Divertimento by Franco Alfano, Davide Vendramin, Vittorio Rabagliati, Orchestra Sinfonica Di Milano, Giuseppe Grazioli. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Suite romantica: I. Notte adriatica is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite romantica: I. Notte adriatica by Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Daphnis et Chloé, Suite No. 2, M. 57b: I. Lever du jour | Maurice Ravel, Sir Simon Rattle, London Symphony Orchestra | E Minor | 1 | 9A | 78 BPM | ||
Armida: Sinfonia | Gioachino Rossini, José Miguel Pérez-Sierra, Krakow Philharmonic Orchestra | D Major | 4 | 10B | 74 BPM | ||
Tom Bowling | Charles Dibdin, Royal Philharmonic Orchestra | C Major | 0 | 8B | 98 BPM | ||
Le Sable du Sablier: II. Fête | Claude Arrieu, Marielou Jacquard, Flore Merlin | B Minor | 2 | 10A | 79 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Piano Concerto No. 1 in E Minor: III. Cavatina. Larghetto amoroso | Emil von Sauer, Lawrence Foster, Stephen Hough, City Of Birmingham Symphony Orchestra | C Major | 0 | 8B | 71 BPM | ||
Die Puppenfee (The Fairy Doll): No. 14 Andante | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F♯ Minor | 1 | 11A | 80 BPM | ||
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
The Mikado: Overture | New D'Oyly Carte Opera Orchestra | C Major | 2 | 8B | 85 BPM | ||
Die Spanier in Peru, oder Rollas Tod, Act II Scene 1: Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | C Major | 2 | 8B | 113 BPM |