"Piano Concerto No. 1 in E Minor: III. Cavatina. Larghetto amoroso" by Emil von Sauer, Lawrence Foster, Stephen Hough, City Of Birmingham Symphony Orchestra was released on September 1, 1995. Since Piano Concerto No. 1 in E Minor: III. Cavatina. Larghetto amoroso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Sauer & Scharwenka: Piano Concertos (Hyperion Romantic Piano Concerto 11)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 1 in E Minor: III. Cavatina. Larghetto amoroso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1 in E Minor: III. Cavatina. Larghetto amoroso by Emil von Sauer, Lawrence Foster, Stephen Hough, City Of Birmingham Symphony Orchestra having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Raymonda, Op. 57: Act I - Introduction - Premier tableau | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | C Minor | 0 | 5A | 76 BPM | ||
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: IV. Scherzo | Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta | D Major | 1 | 10B | 86 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Tannhäuser, WWV 110: Recitative and Song to the Evening Star (Arr. Liszt, S. 444) | Richard Wagner, Tanguy de Williencourt | A♭ Major | 0 | 4B | 59 BPM | ||
Symphony No. 5 in E Minor Op. 64: 3. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Ken-Ichiro Kobayashi, Kobaken And His Friends Orchestra | A Major | 1 | 11B | 135 BPM | ||
Dance of the Waves - From "Shall We Dance" | George Gershwin, Jean-Yves Thibaudet | C Major | 2 | 8B | 77 BPM |
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