- BPM
- 78
- Key
- F♯ Minor
- Camelot
- 11A
Palestrina: Assumpta Est Maria in Caelum - 3. Quia Hodie Maria Virgo Cum Christo 1 - The Tallis Scholars, Peter Phillips Information
- Acousticness
- 100%
- Danceability
- 11%
- Energy
- 15%
- Instrumentalness
- 0%
- Liveness
- 61%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 14%
- Popularity
- 4%
- Loudness
- -21.538 dB
Summary
"Palestrina: Assumpta Est Maria in Caelum - 3. Quia Hodie Maria Virgo Cum Christo 1" by The Tallis Scholars, Peter Phillips was released on October 1, 1989. With Palestrina: Assumpta Est Maria in Caelum - 3. Quia Hodie Maria Virgo Cum Christo 1 being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 60 in the song's album "Palestrina - Missa Assumpta Est Maria & Missa Sicut Lilium". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Palestrina: Assumpta Est Maria in Caelum - 3. Quia Hodie Maria Virgo Cum Christo 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Palestrina: Assumpta Est Maria in Caelum - 3. Quia Hodie Maria Virgo Cum Christo 1 BPM
With Palestrina: Assumpta Est Maria in Caelum - 3. Quia Hodie Maria Virgo Cum Christo 1 by The Tallis Scholars, Peter Phillips having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Palestrina: Assumpta Est Maria in Caelum - 3. Quia Hodie Maria Virgo Cum Christo 1 Key
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Guerrero: O Virgo Benedicta | A5 Vocal Ensemble, Francisco Guerrero | G Major | 0 | 9B | 137 BPM | |
 | In coena Domini, MH 276: Judas mercator pessimus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Minor | 1 | 9A | 81 BPM | |
 | Seven Sounds Unseen: No. 1. — | Robert Moran, Musica Sacra, Richard Westenburg | A♭ Major | 0 | 4B | 134 BPM | |
 | Sfogava con le stelle | Claudio Monteverdi, La Venexiana | A Minor | 1 | 8A | 131 BPM | |
 | Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | D Minor | 0 | 7A | 89 BPM | |
 | O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | |
 | Sheppard: Jesu salvator saeculi, redemptis - 2. Coetus omnes angelici | John Sheppard, The Tallis Scholars, Peter Phillips | D♭ Major | 2 | 3B | 87 BPM | |
 | Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Cornets Noirs, Les, Gerd Guglhör | G Minor | 1 | 6A | 121 BPM | |
 | Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | |
 | Sing Hallelujah | The Wessex Consort, Andrew King | F Major | 1 | 7B | 78 BPM |
- ISRC
- GBADM8952004
- Label
- L-M Records/RCA Records
Section: 0.5325937271118164
End: 0.5362420082092285