- BPM
- 86
- Key
- B Major
- Camelot
- 1B
Palestrina: Missa Papae Marcelli - 4c. Hosanna 1 - The Tallis Scholars, Peter Phillips Information
- Acousticness
- 100%
- Danceability
- 20%
- Energy
- 34%
- Instrumentalness
- 0%
- Liveness
- 22%
- Loudness
- 68%
- Speechiness
- 3%
- Valence
- 16%
- Popularity
- 12%
- Loudness
- -18.901 dB
Summary
"Palestrina: Missa Papae Marcelli - 4c. Hosanna 1" by The Tallis Scholars, Peter Phillips was released on September 1, 1980. With Palestrina: Missa Papae Marcelli - 4c. Hosanna 1 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 42 out of 46 in Allegri: Miserere; Palestrina: Missa Papae Marcelli; Mundy: Vox Patris Caelestis by The Tallis Scholars, Peter Phillips. Palestrina: Missa Papae Marcelli - 4c. Hosanna 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Palestrina: Missa Papae Marcelli - 4c. Hosanna 1 BPM
The tempo marking of Palestrina: Missa Papae Marcelli - 4c. Hosanna 1 by The Tallis Scholars, Peter Phillips is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Palestrina: Missa Papae Marcelli - 4c. Hosanna 1 Key
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Brumel: Missa Et ecce terrae motus, Gloria - 1. Gloria in excelsis | Antoine Brumel, Peter Phillips, The Tallis Scholars | A♭ Major | 2 | 4B | 133 BPM | |
 | Messe vidi turbam magnam: No. 5, credo | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 142 BPM | |
 | Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | |
 | Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | |
 | The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | |
| Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | |
 | Léonin / Pérotin: Magnus Liber / Feast of St. Stephen: Video celos apertos (Communion) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir | G Major | 2 | 9B | 86 BPM | |
 | Victoria: Libera me, Domine - 6. Requiem aeternam | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | E Minor | 1 | 9A | 75 BPM | |
 | Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | |
 | All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5657930374145508
End: 0.5710992813110352