"Adagio for Strings, Op. 11" by Samuel Barber, Philharmonia Orchestra, Geoffrey Simon was released on January 1, 1996. Since Adagio for Strings, Op. 11 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 20th Century Compositions - Orff, C. / Rachmaninov, S. / Ravel, M. / Reger, M. / Strauss, R. / Stravinsky, I. / Respighi, O. / Prokofiev, S., so we believe that "Adagio for Strings, Op. 11" is a single. Adagio for Strings, Op. 11 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio for Strings, Op. 11 by Samuel Barber, Philharmonia Orchestra, Geoffrey Simon is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The Tale of the Kalendar Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | B Minor | 1 | 10A | 62 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
The Girl with Flaxen Hair | Claude Debussy, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | G Major | 1 | 9B | 84 BPM | ||
Symphony No. 1, Op. 9: Andante tranquillo | Samuel Barber, National Orchestral Institute Philharmonic, James Ross | E Minor | 1 | 9A | 96 BPM | ||
Gnossienne: No. 3 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 113 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, James Buswell, Royal Scottish National Orchestra, Marin Alsop | E Major | 0 | 12B | 82 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
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