"Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): V. Green" by Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra was released on May 31, 2024. The duration of Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): V. Green is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): V. Green's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 10 in Debussy & Strauss by Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): V. Green is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): V. Green by Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod : Faust : Act 1 "Ah! Paresseuse fille" [Faust, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A Major | 0 | 11B | 113 BPM | ||
Le charme Op. 2 N°2 | Ernest Chausson, Susan Manoff, Sandrine Piau | G Major | 0 | 9B | 93 BPM | ||
A Child of our Time, Part I: Is evil then good? (Alto, Chorus) | Michael Tippett, Sarah Connolly, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
5 Lieder: No. 3. Laue Sommernacht | Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach | A Major | 0 | 11B | 73 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
Turandot, Act III: Nessun dorma! | Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
The Armed Man (Ensemble Version): VIII. Angry Flames | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 98 BPM | ||
La forza del destino, Act IV, Scene II: Non imprecare; umiliati | Giuseppe Verdi, Riccardo Zanellato, Dinara Alieva, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A♭ Major | 2 | 4B | 87 BPM | ||
Auf Flügeln des Gesanges, Op. 34, No. 2 | Felix Mendelssohn, Heinrich Heine, Liv Glaser, Helene Wold | D Minor | 0 | 7A | 74 BPM |
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