"7 Canciones populares Españolas (Arr. for Double Bass and Harp by Marijn van Prooijen): III. Asturiana" by Manuel de Falla, Rick Stotijn, Lavinia Meijer was released on January 1, 2014. The duration of 7 Canciones populares Españolas (Arr. for Double Bass and Harp by Marijn van Prooijen): III. Asturiana is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. 7 Canciones populares Españolas (Arr. for Double Bass and Harp by Marijn van Prooijen): III. Asturiana's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 14 in Basso Bailando by Rick Stotijn. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, 7 Canciones populares Españolas (Arr. for Double Bass and Harp by Marijn van Prooijen): III. Asturiana is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Canciones populares Españolas (Arr. for Double Bass and Harp by Marijn van Prooijen): III. Asturiana by Manuel de Falla, Rick Stotijn, Lavinia Meijer is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Jota | Paul Kochanski, Manuel de Falla, Robert Koenig, Si-Qing Lu | E Major | 1 | 12B | 137 BPM | ||
Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Five pieces for Two Violins and Piano: IV. Waltz- Tempo di Valse. Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | G Minor | 0 | 6A | 140 BPM | ||
Requiebros | Gaspar Cassadó, Sheku Kanneh-Mason, Isata Kanneh-Mason | D Major | 2 | 10B | 84 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
El Sombrero de tres picos, Parte I: Danza de la molinera. Fandango | Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado | D Major | 2 | 10B | 119 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM |
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