On April 30, 2015, the song "Recueil d'airs choisis de plusieurs opéras accommodés pour le clavecin: Gavotte graçieuse I & II" was released by Claude Balbastre, Catherine Zimmer. The duration of Recueil d'airs choisis de plusieurs opéras accommodés pour le clavecin: Gavotte graçieuse I & II is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Recueil d'airs choisis de plusieurs opéras accommodés pour le clavecin: Gavotte graçieuse I & II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 28 in Airs d'opéra accommodés pour le clavecin by Claude Balbastre, Catherine Zimmer. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Recueil d'airs choisis de plusieurs opéras accommodés pour le clavecin: Gavotte graçieuse I & II's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Recueil d'airs choisis de plusieurs opéras accommodés pour le clavecin: Gavotte graçieuse I & II by Claude Balbastre, Catherine Zimmer is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Concerts transcrits en sextuor / 5e concert: 1. La Forqueray | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Feet in the Clouds | Fiona Ubong | F♯ Major | 1 | 2B | 73 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: II. Les plaisirs | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 7: II. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Minor | 0 | 8A | 64 BPM | ||
Piece sans Titre in D Major: I. — | Claude Balbastre, Maxime Heintz | D Major | 1 | 10B | 116 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Noël varié pour orgue: Agnus Dei: Votre bonté, Grand Dieu | Claude Balbastre, Matin Gester, Ensemble vocal du Parlement de Musique | B♭ Major | 1 | 6B | 109 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 4 | 3B | 63 BPM | ||
Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 139 BPM | ||
Zaïde, reine de Grenade: Air pour les Turcs en rondeau | Joseph-Nicolas-Pancrace Royer, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 0 | 2B | 141 BPM |
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