"Slavonic Dances, Op. 46: No. 2, Dumka (arr. for piano & violin by Fritz Kreisler)" by Antonín Dvořák, Hagai Shaham, Arnon Erez was released on June 2, 2023. The duration of Slavonic Dances, Op. 46: No. 2, Dumka (arr. for piano & violin by Fritz Kreisler) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Slavonic Dances, Op. 46: No. 2, Dumka (arr. for piano & violin by Fritz Kreisler)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 11 in Dvořák: Piano Trio No. 3 in F Minor by Antonín Dvořák, Shaham Erez Wallfisch Trio. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Slavonic Dances, Op. 46: No. 2, Dumka (arr. for piano & violin by Fritz Kreisler) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Slavonic Dances, Op. 46: No. 2, Dumka (arr. for piano & violin by Fritz Kreisler) by Antonín Dvořák, Hagai Shaham, Arnon Erez is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
Romanze in f-Moll, Op. 11, B. 39: Romance for Violin and Orchestra in F Minor, Op. 1 | Antonín Dvořák, Ilya Kaler, Polish National Radio Symphony Orchestra, Camilla Kolchinsky | D♭ Major | 0 | 3B | 100 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM |
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