Leonardo Vinci, Concerto Köln, Luca Quintavalle made "Partenope: Ouverture" available on October 22, 2021. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jeanine De Bique, Concerto Köln, Luca Quintavalle's "Mirrors" album is number 11 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Partenope: Ouverture's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Partenope: Ouverture by Leonardo Vinci, Concerto Köln, Luca Quintavalle to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, RV 562a: III. Allegro | Antonio Vivaldi, Modo Antiquo, Federico Maria Sardelli | E Major | 1 | 12B | 119 BPM | ||
Te Deum: IV. Patrem immensae maiestatis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
L‘Ernelinda: "Nube di denso orrore" | Leonardo Vinci, Franco Fagioli, Il Pomo D'oro, Zefira Valova | A Major | 4 | 11B | 80 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Il Giardino d'Amore: Con battaglia di fiero tormento (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Bruno de Sá, Ensemble 1700 | D♭ Major | 2 | 3B | 131 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Grande Sonata in D Major: II. Allegro (Recomposed for Sollo Flute by Luca Astolfoni Fossi) | Leonardo Vinci, Claudio Ferrarini | E♭ Minor | 2 | 2A | 135 BPM | ||
Stabat Mater, P. 77: III. O quam tristis | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": II. Sarabande. Die schlafende Thetis | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 3 | 1B | 128 BPM |
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