Alessandro Scarlatti, Dorothee Oberlinger, Bruno de Sá, Ensemble 1700's 'Il Giardino d'Amore: Con battaglia di fiero tormento (Aria)' had a release date set for October 6, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 27 in Alessandro Scarlatti: Baroque Influencer by Alessandro Scarlatti, Dorothee Oberlinger, Bruno de Sá, Ensemble 1700. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Il Giardino d'Amore: Con battaglia di fiero tormento (Aria)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Il Giardino d'Amore: Con battaglia di fiero tormento (Aria) by Alessandro Scarlatti, Dorothee Oberlinger, Bruno de Sá, Ensemble 1700 is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Prima d’esservi infedele, H. 578: Aria. Quando sorge l’Aurora dal Gange | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | D♭ Major | 3 | 3B | 95 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Sonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 102 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Prima d’esservi infedele, H. 578: Recitativo. Esempio di costanza | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | D♭ Major | 3 | 3B | 95 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM |