"Abendlied: Bleib bei uns, Op. 69/3" by Josef Rheinberger, Thomas Hengelbrock was released on June 1, 2012. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "Nachtwache". In this album, this song's track order is #28. Abendlied: Bleib bei uns, Op. 69/3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Abendlied: Bleib bei uns, Op. 69/3 by Josef Rheinberger, Thomas Hengelbrock having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
Puccini: Messa di Gloria, Op. posth: II. Gloria - Gloria in excelsis Deo - In terra pax - Laudamus te | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | A♭ Major | 2 | 4B | 108 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
Der Mond ist aufgegangen | Johann Abraham Peter Schulz, Thomas Hengelbrock | F Major | 0 | 7B | 167 BPM | ||
Requiem in F Major: Dies Irae: Dies irae | Antonio Lotti, Thomas Hengelbrock | B Minor | 1 | 10A | 85 BPM | ||
Missa in G Major, Op. 151 "St. Crucis": I. Kyrie | Josef Rheinberger, Vocalensemble Rastatt, Holger Speck | D Minor | 0 | 7A | 130 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
Vexilla regis | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique | F Major | 0 | 7B | 82 BPM | ||
Blessed be the God and Father | Samuel Wesley, Choir of Clare College, Cambridge, Matthew Jorysz, Graham Ross | E♭ Major | 1 | 5B | 126 BPM | ||
Requiem in F Major: Dies Irae: Lacrimosa | Antonio Lotti, Thomas Hengelbrock | E Minor | 0 | 9A | 173 BPM |
Section: 0.590583086013794
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