Jacob Obrecht, Ars Nova Secunda, Janos Bali's 'Missa Malheur me bat a 4: Kyrie' came out on January 1, 2015. With Missa Malheur me bat a 4: Kyrie being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 37 in the song's album "Obrecht: Missa O Lumen Ecclesiae - Ave Regina Caelorum - Alma Redemptoris Mater - Missa Malheur Me Bat". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Hungary. Missa Malheur me bat a 4: Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Malheur me bat a 4: Kyrie by Jacob Obrecht, Ars Nova Secunda, Janos Bali having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
V. 1539 Muerte de la Esposa de Carlos V: "Mille Regretz" (Chanson) | Josquin des Prez, Pascal Bertin, Josep Hernández, Lambert Climent, Daniele Carnovich | A Minor | 0 | 8A | 75 BPM | ||
Tu solus qui facis mirabilia: I. Prima pars | Josquin des Prez, Odhecaton, Paolo da Col | G Minor | 0 | 6A | 103 BPM | ||
Recercare: Racercare | Francesco Spinacino, Shirley Rumsey | B♭ Major | 0 | 6B | 141 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Mistresse Nichols Almand from Lachrimae, or Seaven Teares | John Dowland, Fretwork | B♭ Major | 1 | 6B | 150 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Sibil-La Mallorquina: Aprés Se Badarà Molt Fort R/ (Monastère Des Nonnes De La Concepció) | La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall | F Major | 0 | 7B | 103 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM |
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