"Siegfried: Scene 2: Zeih hin! Ich kann dich nicht halten!" by Richard Wagner, Kirsten Flagstad, Eduard Habich, Karl Laufkotter, Lauritz Melchior, Friedrich Schorr, Kerstin Thorborg, Metropolitan Opera Orchestra, Artur Bodanzky was released on June 24, 2002. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner, R.: Siegfried (Metropolitan Opera) (1937) by Richard Wagner, Artur Bodanzky. The song's track number on the album is #7 out of 36 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Siegfried: Scene 2: Zeih hin! Ich kann dich nicht halten! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Siegfried: Scene 2: Zeih hin! Ich kann dich nicht halten! by Richard Wagner, Kirsten Flagstad, Eduard Habich, Karl Laufkotter, Lauritz Melchior, Friedrich Schorr, Kerstin Thorborg, Metropolitan Opera Orchestra, Artur Bodanzky has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Siegfried: Scene 2: Zeih hin! Ich kann dich nicht halten! being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Turandot / Act 3: "So il tuo nome!" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta | F♯ Major | 4 | 2B | 82 BPM | ||
Carmina Burana / 2. In Taberna: "Estuans interius" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 84 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Le corsaire, ouverture, Op. 21 | Hector Berlioz, Polish State Philharmonic Orchestra, Katowice, Kenneth Jean | G Major | 1 | 9B | 92 BPM | ||
Die Walküre, WWV 86B / Act 1: "Schläfst du, Gast?...Der Männer Sippe saß hier" | Richard Wagner, Alessandra Marc, Poul Elming, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 117 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM |
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