"Passion and Resurrection: Pt. 1" by Ēriks Ešenvalds, Hannah Consenz, Portland State University Chamber Choir, Portland State University String Ensemble, Unknown Artist, Ethan Sperry was released on August 11, 2017. Since Passion and Resurrection: Pt. 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in Ēriks Ešenvalds: The Doors of Heaven, so we believe that "Passion and Resurrection: Pt. 1" is a single. Passion and Resurrection: Pt. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Passion and Resurrection: Pt. 1 by Ēriks Ešenvalds, Hannah Consenz, Portland State University Chamber Choir, Portland State University String Ensemble, Unknown Artist, Ethan Sperry is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Les Chansons Des Roses: IV. La Rose Complète | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 135 BPM | ||
"Mille Regretz" (Després) | The Hilliard Ensemble | B Major | 1 | 1B | 83 BPM | ||
Will there really be a "Morning"? | Craig Hella Johnson, Choral Arts, Anonymous , Robert Bode | F♯ Major | 0 | 2B | 68 BPM | ||
Water Night | BYU Singers | B♭ Minor | 0 | 3A | 136 BPM | ||
Peeter's cabin | Rihards Zalupe, Ēriks Ešenvalds | B♭ Minor | 0 | 3A | 76 BPM | ||
Requiem canticorum: De profundis | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | A Minor | 0 | 8A | 80 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Antiphon, O quam mirabilis est | Hildegard von Bingen, Anonymous 4 | A Major | 0 | 11B | 83 BPM |
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